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新中国成立后,藏族题材的绘画获得了广阔的发展空间,涌现出一批杰出的创作者,对于推动中国近现代油画创作技法和形式的创新发挥了重要作用。在此之后,诸如董希文、吴冠中、陈逸飞等名家也相继涉猎藏族题材的油画领域。可以说,其最终绘画风格的确定有赖于藏族题材的“助推剂”作用。雪域高原的神圣土地不仅给广大人民和艺术家提供了宝贵的财富,也对一大批油画爱好者提供了创造源泉。本文立对藏族油画的发展脉络予以了梳理,就藏族有关油画创作的各阶段进行分析,以期进一步了解与藏族相关的油画创作知识,不断鞭策和改进自我。
After the founding of New China, the paintings of Tibetan themes gained broad space for development, and a number of outstanding creators emerged. They played an important role in promoting the innovation of modern Chinese oil painting techniques and forms. After that, such famous artists as Dong Xiwen, Wu Guanzhong and Chen Yifei also successively covered the field of oil painting with Tibetan themes. It can be said that the final style of painting depends on the Tibetan theme “booster ” effect. The sacred land of the snow-covered plateau not only provided precious wealth to the broad masses of people and artists, but also provided a source of creativity for a large number of oil-painting enthusiasts. This essay analyzes the development of Tibetan oil painting and analyzes the various stages of Tibetan oil painting creation in order to further understand the knowledge of oil painting related to Tibetan and constantly promote and improve oneself.