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以末日场景为卖点的电影,常常因直击人类内心深处潜藏的恐惧,而获得较高的票房和知名度。在这类电影中,人类的自负和渺小先后迸现,这是对现代性的无情嘲讽,更是对人性缺陷的无奈与悲悯。
Films sold in Doomsday scenes often get a higher box office and visibility due to the fear of hiding in the depths of human hearts. In such films, humanity’s own egoism and insignificance have come into being one after another. This is a merciless ridicule of modernity and a helplessness and compassion for human nature.