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《亚当回当》是王晋康的处女作,风格苍劲浑朴,带有与生俱来的王体风格,也奠定了他此后的写作风格指向:苍凉沉郁而不乏哲理意蕴。本文以《亚当回归》为样本,从“上帝叙事视角”、出走与回归、寻根意识三方面来剖析王晋康的小说特色以及对之后作品的创作影响。
“Adam back when” is Wang Jinkang’s debut, style vigorous and simple, with the inherent style of the royal body, but also laid the foundation for his subsequent writing style: Desolation and lack of deep philosophical implications. Taking “Adam’s Return” as a sample, this article analyzes Wang Jinkang’s novel features and the creative influence on his later works from the perspective of “the narrative of God”, the departure and return and the root-seeking consciousness.