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第一次知道凡高的名画《农鞋》,缘于海德格尔对《农鞋》所作的存在主义哲学阐释:“从农鞋磨损的内部那黑洞洞的敞口中,劳动者艰辛的步履显现出来。那硬邦邦、沉甸甸的破旧农鞋里,聚集着她在寒风料峭中,迈动着在一望无际、永远单调的田垄上的步履的坚韧和滞缓。鞋皮上粘着湿润而肥沃的泥土。夜幕降临,这双鞋底在田野小径上踽踽而行。在这农鞋里,回响着大地无声的召唤、成熟的鼓舞宁静的馈赠,及其在冬野的休息,荒漠中无法阐释的冬冥。这物件聚集着对面包稳固性无怨无艾的焦虑,以及
For the first time, Van Gogh’s famous “farming shoes” came to light because of Heidegger’s existentialist philosophy: "The difficult steps of the laborer emerge from the inside of the black hole where the agricultural shoes are worn out The stiff, heavy old peasant shoe gathered her in the frigidity of the tenacity and stagnation of the monotonous dominance of the land, with the wet and fertile soil on the shoe. This pair of soles strolls along the fields and pathways, and in the midst of the farm shoes, there is a silent call of the earth, a mature, inspiring, quiet gift, and its winter, which can not be explained by the rest of the winter field. The object gathers anxiety about the stability of the bread without resentment, as well