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我们身处一个图像泛滥的时代,摄影工具的普及让每个人都成为影像的制造者和传播者,而“人人都是摄影家”的宣言则开始将摄影构建为时代的剧场。拍摄者成为了可被随意取代的角色,甚至摄影也成为可被随意替换的媒介,但大多数拍摄者依然为瞬间的凝固的“美”所感动,在机械复制的轨迹里反复,仿佛摄影唯一的任务便是以最快的速度来宣告自身的在场。同时,我们却总能看到作品间共存的相似性,创作者在积极追求真相的过程里不断为自己筑起华丽的高墙,摄影被牢牢地钉在表面的客观世界,
We are in an age of image flooding. The popularization of photographic tools makes everyone a maker and disseminator of images. The declaration that everyone is a photographer begins to build photography into a theater of the times. The photographer has become a freely replaceable character, and even photography has become a medium that can be replaced at will, but most photographers are still touched by the frozen “beauty” of the moment and repeat themselves in the path of mechanical copying as if The only task of photography is to announce your presence as quickly as possible. At the same time, we can always see the similarities between coexistence of works. Creators constantly build a magnificent wall for themselves in the process of actively pursuing the truth. Photography is firmly anchored in the superficial and objective world,