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从文字传记到传记电影是“读图时代”的必然,传记电影并非只是简单地对于文字传记的媒介转换,而是拥有自己独特的传记创作方式。在萧红传记电影《黄金时代》中,影片使用的多元化视角和间离手法体现了传记电影对于客观真实的独特再现方式。然而,这种真实再现的方式其实只是一种局部的“在场”的真实,它成立的前提就是必须遮蔽其他“不在场”的真实。这些被《黄金时代》选择的“在场”真实共同构成了影片中的萧红形象,而这一过程也恰恰反映出大众文化影响下的萧红形象的世俗化倾向。
From textual biography to biographical cinema is inevitable, “the time to read the map” is not only a biographical film that simply transforms the text of a biography, but has a unique way of creating biographies. In Xiao Hong’s biographical movie “The Golden Age,” the diversified perspectives and methods used in the film embody the unique ways in which biographical films represent objective truth. However, this real way of reproduction is actually only a partial “presence” of the truth, which is based on the premise that other “absent” truths must be obscured. These “real” images chosen by the “Golden Age” jointly constitute Xiao Hong’s image in the film, and this process precisely reflects the secularization tendency of Xiao Hong’s image under the influence of mass culture.