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2016年11月19日,艺术家段建伟在北京蜂巢当代艺术中心举办了个展“地粮”。平日宽敞的A展厅入口被隔断,画廊入口与展厅之间搭建了一个低矮的隔间。观众仅可从左侧的一扇门进入,弯弯曲曲的路径放慢了人们观赏的速度,让观者对艺术作品有一个逐渐适应与细细品味的过程。进入展厅,摆放的是段建伟一些尺幅较小的作品,或人物、或风景、或静物。最先映入观者眼帘的是一幅名为《装土豆》的油画,大多观者会将此作品与米勒的《拾穗者》发生视觉联系,二者对劳动者勤劳、朴实、憨厚、稚拙气质的描绘有精彩般的相似,而这也是段建伟作品中的人物所显露的一般性特征。除却《装土豆》中夫妇二人头部微微向下、嘴角有所上
On November 19, 2016, artist Duan Jianwei held a solo exhibition entitled “Ground Food” at the Beijing Hive Contemporary Art Center. On weekdays, the entrance of Hall A is cut off, and a low compartment is set up between the gallery entrance and the exhibition hall. The audience can only enter from a door on the left, and the winding path slows down people’s appreciation so that the viewer can gradually adapt and savor the art work. Into the exhibition hall, Duan Jianwei is placed some smaller pieces of work, or characters, or landscape, or still life. The first thing that catches the eyes of the viewer is an oil painting titled “Potatoes”. Most of the viewers will make a visual connection with Miller’s Gleaning Pilgrim, both of whom are industrious, simple and honest , The immaturity of the temperament depicts a wonderful similar, and this is also the character of Duan Jianwei reveals the general characteristics. In addition to “fitted potatoes,” the couple head slightly down, the corner there