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京剧源远流长.是中华文明中内蕴深厚的传统艺术之一。如从1790年微班进京算起,京剧至今也有200余年的历史。而油画,作为西方绘画艺术的主流,尽管在西方已经走过了六七百年的发展历程,然而真正融入中国的文化艺术之中,还只是近80年的事。京剧自发展之日起,即有不少艺术家运用艺术技巧来表现国粹人物,从水墨到版画、从绢绣到雕塑,比比皆是。以西方油画技巧表现博大精深的京剧人物,印象中画坛大家林风眠先生,以土洋互渗、重视平面分割的绘画理论,既将京剧人物的大气展现得淋漓,又不失西方油画的写实技巧。时至今日,西安青年画家刘令华的国粹油画系列,不仅继承了画坛前辈在油画京剧人物中所追求的中西融合、形神兼备,更着意于表现京剧中所特有的浓烈响亮。
Beijing Opera has a long history and is one of the most profound traditional arts in Chinese civilization. From the micro-class in 1790 into Beijing, Beijing Opera has 200 years of history. As the mainstream of western painting art, oil painting, though it has gone through six or seven centuries of development in the West, is only a matter of nearly 80 years when it is truly integrated into the Chinese culture and art. Since the development of Peking Opera, many artists have used artistic techniques to express the quintessence of Chinese characters, from ink to prints, from silk embroidery to sculptures. Mr. Lin Fengmian, a famous Beijing opera artist who expresses the profound influence of western oil painting skill, takes painting theory of the earth and the sea and emphasizes plane division. It not only shows the atmosphere of Peking opera characters well but also realism skills of western oil painting. Today, the national oil painting series by Liu Linghua, a young painter in Xi’an, not only inherits the integration of Chinese and Western cultures pursued by the predecessors of oil painting in the painting industry, but also aims to express the powerful loudness unique to Beijing Opera.