论文部分内容阅读
6月13日之前,奥尔德堡教区不绝于耳的钟声或许是当地居民最烦恼的声音,至少曾有20名当地居民联名上书请愿取消这些钟声。但6月13日歌剧《雨海》的首演之后,钟声的烦恼则被另一种抱怨声取而代之:由作曲家雅尼斯·凯瑞阿奇兹(Yannis Kyriakides)、剧作家达尼尔·达尼斯(Daniel Danis)和舞台导演凯茜·伯伊德(Cathie Boyd)合作出品,取材自2004年亚洲印度洋海啸事件(只是故事被移至了海底)的歌剧,剧情晦涩难懂,弥漫着光怪陆离的灯光和嘈杂的电声乐器,确实表现得太不像一出歌剧或其他音乐戏剧。
Until June 13, the endless bells in the parish of Alderborg may be the most troubling voices of the locals. At least 20 local residents petitioned to cancel the bells. But after the premiere of June 13, “The Sea of Rain,” Bell’s annoyance was replaced by another complaint: the composers Yannis Kyriakides, playwright Danielle In collaboration with Daniel Danis and stage director Cathie Boyd, an opera based on the Asian Indian Ocean tsunami in 2004 (only the story has been moved to the bottom of the sea), the story is obscure and filled with bizarre The lights and the noisy electro-acoustic instruments did indeed behave much less like an opera or other musical theater.