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回返的艺术史从1980年代未的《神之棋》至今,许江的创作形态经历了一场反向的发展过程:从空间回到架上,由观念重返绘画——他向我们展现了一部个人的回溯的艺术史。这次“回返的出逃”, 为当代绘画提示出一个新的发展空间,也为当代艺术研究提供了一个独特的案例。然而,这种媒介与形态上的发展轨迹或许并非其主旨所在。许江无意于对既有的艺术史文本进行颠覆,也与媒体进步论或任何样式的保守主义无关。在他二十年的创作生涯里,真正起决定作用的,是对于历史及其视觉显现的持续思索与追问。在
Returning Art History Xu Jiang’s creative style has undergone a backward development from the unseen “God’s Chess” of the 1980s: returning from space to shelves and returning from painting to painting - he showed us An individual’s retrospective art history. This “flight back” provides a new space for contemporary painting and provides a unique case study of contemporary art. However, this medium and the morphological development may not be the main thrust. Xu Jiang is not intended to subvert the existing art history texts, nor does he have anything to do with media progress or any style of conservatism. In his 20 years of creative career, the real decisive factor is the continuous thinking and questioning of history and its visual appearance. in