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在音乐艺术中唱歌是最直接表达人的思想感情的艺术,而人的声是最优美的。历来小提琴演奏家们都在小提琴演奏的发音上去追求人声美的音色及它的歌唱性,并且发表了许多有关小提琴演奏发音问题的论著,使小提琴演奏艺术得到不断的提高和发展。小提琴演奏的发音问题不只是单纯的物理性问题,它包含着除小提琴音色优美接近人声的女声部,更重要的是能表达人的内心思想感情。但是我们在练习中往往在左手手指的技巧训练上比较下功夫,容易把发音的训练无意识中忽略掉。甚至连作曲家所规定的表情符号都被渐渐的遗忘了。所以想以此文从弦乐器振动的物理现象,持琴姿势,音的起始和收尾以及改变音色的特殊弓法四个方面具体分析小提琴演奏的发音,音色问题及其应用。
Singing in music art is the most direct expression of the thoughts and feelings of people’s art, and human voice is the most beautiful. Historically, violinists have been pursuing the beauty of human voices and their singing in the violin playing, and have published many works on the violin playing and pronunciation, and the violin playing art has been continuously improved and developed. The problem of violins’ pronunciation is not merely a matter of physicality. It contains the part of a girl’s voice that is gracefully close to a human voice except a violin, and more importantly, can express one’s inner thoughts and feelings. However, in our practice, we tend to work harder on the skill training of the left hand fingers, which is easy to ignore unconsciously in pronunciation training. Even the composer’s emoticons are gradually forgotten. So I would like to use this article from four aspects of the physical phenomenon of the vibration of the stringed instrument, the posture of the piano, the beginning and ending of the sound, and the special bowing method of changing the sound color, to analyze the pronunciation and sound of the violin playing and its application.