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中国山水画的绘画方式是独立的,南北朝时代的初期就已经存在了。山水画利用个这种留白的技巧,使整个画面看起来更逼真和更完整。随着山水画的发展,山水画中的留白已不再仅仅是为了反映画面的空间感,还是为了体现创作者的个人思想感情。社会的发展速度越来越快,艺术家对山水画“阴”与“阳”关系的理解和认识不断深入。因此中国山水画的留白技巧就成为了灵气的特征,也成为了生命的源地。所以,这是深入剖析山水画必须要经历的时期。针对山水画留白这个主题的研究,以留白的意义分析和意境的分析为主,最主要的还是以山水画留白的产生的理论依据和发展阶段为基础,和留白在山水画作品中的地位的创新和发展。
The painting style of Chinese landscape painting is independent, and the early period of Southern and Northern Dynasties already existed. Landscape painting use of such a blank technique, so that the whole picture looks more realistic and more complete. With the development of landscape painting, the blank of the landscape painting is no longer just to reflect the sense of space of the picture, but also reflect the creator’s personal thoughts and feelings. The development of society is getting faster and faster. The artist’s understanding and understanding of the relationship between landscape painting “yin ” and “yang ” has been deepening. Therefore, the Chinese landscape painting techniques have become the characteristics of Reiki, has also become the source of life. Therefore, this is a deep analysis of landscape painting must go through the period. The research on the theme of the blank of landscape painting mainly focuses on the analysis of meaning and the analysis of artistic conception. The most important one is based on the theoretical basis and stages of the development of landscape painting, and the status of the painting in landscape painting Innovation and development.