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依据中国易象師賢通则和先秦文字二体亖用原理,结合中国古文字~(↑→)现代笔画文字的典型实例,揭示了:(1)哲学是人类社会中之个人和他人,由已知探究未知、从有限走向无限的人为语符形象指事之学。(2)一分为二及其一体二用(对立统一及其合二为一),皆滥觞于图示日字型~(↑→)太极圆:■~(整体)=~(等于)※~(部分之和)。(3)参照韩日书语实例,展示闪雅民族学用苏埃古文字及其声符~(↑→)创建记录民族语言之书语的事实,证明:从人类三古文字系统说,闪雅书语,只是一个并非通则的旁系。
According to the principles of the Chinese aptitude as a teacher and the pre-Qin language and the combination of the Chinese ancient writing ~ (↑ →), the typical examples of modern stroke writing reveal: (1) Philosophy is an individual and others in human society, Exploring the unknown, from limited to unlimited human language image refers to things. (2) divided into two and one of the two with (the unity of opposites and their combination into one), are beginning at the beginning of the figure fonts ~ (↑ →) Tai Chi: ■ ~ (overall) = ~ (equal to) ※ ~ (Part of the sum). (3) According to the examples of Korean and Japanese language books, it shows the fact that the Ya-Yao ethnology uses the Su-ei characters and their phonetic characters (↑ →) to create a book that records the language of the national language. It proves that from the three ancient Chinese writing systems, It is only a collateral that is not a general rule.