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一方天峨石,概略地显出了提琴的轮廓,尤其那琴把的具象,简直可以一手在握。藏者以此为意象,演奏出一曲“天乐”的乐章。那斜倚琴身的弓弦和底座上跳动着的音符表达了藏者的诉求。然而笔者要说的是,那琴形之石,却又是人化之琴。你看那从琴把之下的石体中浮现的人脸神态,他两眼凝视上方,嘴唇微微张开,若有所
One side Tianshi stone, shows the outline of the violin, in particular, that the piano’s elephant, can be hand in hand. Tibetans take this as an image, play a “music” music. The bowstring that reclined the body and the note that bounced on the base expressed the aspirations of the Tibetans. However, I want to say is that the piano stone, but it is the humanized piano. Look at the look of the face that emerges from the stone under the piano handle, with his eyes on top, his lips slightly open, and if so