有容量的都市叙述——读南翔《老桂家的鱼》

• 作 者: 贺绍俊
• 出 处: 名作欣赏
• 发表日期: 2014年01期
• 关键词: 都市小说 特区文学 桂家 中国改革 《上海文学》 写作立场 船上 东枝 短篇小说 历史化

南翔是深圳的一位作家,这大概就注定了他要在都市文学的建设上有所作为。深圳作家可以说占据了写作都市小说得天独厚的优势,因为他们身处中国改革开放的前沿,目睹一个国际化的大都市是如何在短短的几十年内拔地而起的,早在上个世纪90年代初,深圳的《特区文学》便率先打出了新都市小说的旗号;不仅如此,深圳本身也成为了新都市文学的一道亮丽风景。但南翔并不是一个追逐时尚、标新立异的作家,他更珍惜内心的历史记忆。也许正是这一原因,当

Nanxiang is a writer in Shenzhen, which presumably destined him to make a difference in the construction of urban literature. Shenzhen writers can claim to have the unique advantage of writing urban fiction because they are at the forefront of China’s reform and opening up and witness how an international metropolis rises in just a few decades. As early as the last century In the early 1990s, Shenzhen’s “Special Zone Literature” pioneered the banner of a new metropolitan fiction. Not only that, Shenzhen itself has become a beautiful landscape of the new metropolitan literature. But Nanxiang is not a chasing fashion, unconventional writer, he even cherish the inner memory of history. Perhaps this is the reason, when