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一、罗斯金论版画书写中的战争[polemos]究竟源于何处?这纷争存在于“书写”[graphic]这个词本身,它指向写作的同时也指向图像。证实它们其实是同一事物的不同形式,以及是否能在两方之间建立一种和平,就好比证实蓝光与红光都有光晕一样?而那个“同一事物”又是什么呢?我们可以通过寻问另一个更简单的问题获得对这些问题的一种解答。那就是,为什么约翰·罗斯金[John Ruskin]将他关于铜版画
First, Rosekin’s theory on the polemic of war in printmaking originated from the origin of the word “writing”, which points to the writing as well as to the image. To confirm that they are actually different forms of the same thing, and whether a peace can be established between the two parties, is like confirming that both blue and red have the same glow? And what is that “same thing”? One way of answering these questions can be found by asking another simpler question. That is, why John Ruskin quoted him on copper engraving