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有人说,在获得诺贝尔文学奖后还能写出如此杰作的帕慕克是真正的大师。《我脑海里的怪东西》仍旧将故事的背景放置在了伊斯坦布尔,没有了类似《我的名字叫红》中的悬疑叙事,本书开篇就充满自信地将所讲之事和盘托出。《我的名字叫红》中,帕慕克曾使用了多达数十种的叙事视角,令人印象深刻。而在这部作品中,他也采取了多种视角插入,形成一种“复调式”的叙事节奏,将卖钵扎小贩麦夫鲁特的一生经历书写成与伊斯坦布尔城市化进程紧密联系在一起的小人物的生活史诗。
Some people say that Pamuk, who can write such masterpieces even after winning the Nobel Prize in Literature, is a real master. “The weird stuff in my head” still places the background of the story in Istanbul, without the suspense narrative like “My name is Red.” The book starts with confidentiality and confides it. In My Red Name, Pamuk has used dozens of narrative perspectives and is impressive. In this work, he also took a variety of perspectives and inserted it into a kind of “polyphonic” narrative rhythm, writing the lifelong experience of selling almond McFluter as closely linked with the process of urbanization in Istanbul Episodes of the lives of the little people together.