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一般重大历史题材的影片往往注重对事件正面过程的详写。而《开国大典》则一反这种传统惯例,对有些容易流于一般化叙述的事件“正文”作略写、虚写处理,而在本可省却或被人忽略之处不惜笔墨地大做文章,从而扩充了作品艺术表现的份量和容积。同时,创作者还擅长调用、发挥电影运动造型的优势,依靠画面本身的形象,造成隐喻及象征性的表现效应。这
In general, films of major historical themes tend to focus on the details of the positive process of events. On the other hand, the founding ceremony of the founding of the People’s Republic of China contradicted this traditional practice of giving some simple and false explanations to the “body” of an event that easily flows in a generalized narrative, and did a great deal of effort in omitting or neglecting it Article, thus expanding the weight and volume of art performance. At the same time, creators are also good at invoking and giving full play to the advantages of the cinematic movement and relying on the image of the screen itself to create metaphors and symbolic performance effects. This