“号角”如何折身为“大众”——北京《大众诗歌》的改版与停刊

• 作 者: 张均
• 机 构: 中山大学中文系,
• 出 处: 现代中国文化与文学
• 发表日期: 2004年期
• 关键词: 《文艺报》 冀汸 艾青 胡风 文艺生活 黄药眠 袁水拍 赵树理 俞平伯 卞之琳

1950年1月1日,北京的读者可以在市面上见到一份崭新的诗歌刊物——《大众诗歌》。然而对于知情人而言,这其实是已出版8期的北京大学学生刊物《诗号角》改换的“新装”。《诗号角》原是一份由北大经济系学生赵立生创办并受到北大、清华著名教授支持的进步同人刊物①,它现在以《大众诗歌》之名重新面世,其间变故自然不仅是更换刊名。如果说,杂志“对它们周围的世界产生着影响,反过来也被世界影响着”②,

On January 1, 1950, readers in Beijing can see a brand new poem publication “Popular Poetry” on the market. However, for the insider, this is actually a “new dress” that has been published in the 8 issue of Peking University student magazine “Poetic Horn.” “Poem Horn” was originally a progressive peer publication founded by Zhao Lisheng, a student of Peking University's economics department and supported by well-known professors at Peking University and Tsinghua University. It is now reprinted in the name of “Popular Poetry”. If we say that the magazine “has an impact on the world around them and in turn is influenced by the world”