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近几年来,戏曲舞台上涌现了不少好戏,也脱颖而出许多新人。这是戏曲界在党的改革开放政策下所取得的有效成果。但是,在舞台艺术创作上,也存在着一些值得注意的问题一是老戏老演。我讲的老戏,就是传统戏。传统戏是祖先留给我们的文化财富,是戏曲的根底,应该继续在今天的舞台上发扬光大,这是毫无疑义的。但传统戏从内容到形式,确实掺杂有不健康和不完美的东西,不改造不但青年人不爱看,看了也会产生不良的效果。解放初期,戏曲界根据党的“百花齐放,推陈出新”的文艺政策,经过“戏改”,曾经从传统戏
In recent years, there have been many good shows on the stage of opera and many newcomers have also come to the fore. This is an effective achievement made by the opera circles under the party’s policy of reform and opening up. However, there are some notable problems in the creation of stage art. One is the old show. I talk about the old drama is the traditional drama. Traditional drama is the cultural wealth left behind by our ancestors. It is the basis of opera and should continue to flourish today. There is no doubt about it. However, traditional content from the content to the form is indeed mixed with unhealthy and imperfect things, not only not to change the young people do not like to read, will also see the adverse effects of reading. In the early period of liberation, according to the Party’s literary and art policy of “letting a hundred flowers bloom and make innovation”, the opera circles,