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任人皆知,文贵真情。虐情假意、娇柔造作的作品,是无病之呻吟,必然苍白贫乏。而歌词,作为我们「嗟叹之不足而永歌之」的艺术载体,更要「情动于衷」方「形于言」了。好的词作当是真情的流泻,是词作家内心的律动。这也是指歌词内容因素而言,非是形式因素诸如结构或辞格的要求。没有由衷之真情,即便外在结构翻出新样,即便递进再递进反复再反复夸张再夸张,也只可能是牵强而做作。甚至因辞敷义,闹出「舍弟江南殁,家兄塞北亡」般空洞的伤悲来。
Everyone knows, Wen Gui truth. Wicked prostitution, delicate works made, is groaning sick, inevitably pale and poor. The lyric, as an art carrier of our “sigh of prayer and song of eternity,” more should be “delightful” and “shaped in words.” Good words as the influx of truth, is the heart of the word writer rhythm. This also refers to the content of the lyrics content, non-formal factors such as structure or speech requirements. There is no heartfelt truth. Even if the external structure pulls out new samples, it may only be far-fetched to make exaggerations even if it goes forward repeatedly and repeatedly. Even as a result of righteous deeds, the “sad brother Jiang Nanxun, brother died” as hollow sorrow.