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〔本刊讯〕今年5月下旬,北京市剧协、《新剧本》编辑部、《戏剧评论》编辑部在北京南口召开了郭启宏作品专题讨论会。他们邀请了中直单位及北京市的戏剧理论工作者、剧作者、编辑及有关部门领导近三十人参加了讨论会。这是北京市继去年十月举办高行健作品专题讨论会后又一次较大型的学术活动。与会者们在紧凑的、学术气氛极浓的四天会议中,从各个角度分析了郭启宏历年来的戏曲创作情况。大家一致认为,郭启宏在自三中全会以后的十年中,无论在创作数量还是在质量方面都可称佼佼者,并以《司马
In late May this year, Beijing Drama Association, “New Screenplay” Editorial Department, “Drama Review” editorial department held in Beijing’s southern portraits Guo Qihong works symposium. They invited nearly 30 people from the departments of drama theater, drama writers, dramatists, editors and relevant departments in Beijing to participate in the seminar. This is yet another large-scale academic activity in Beijing following the Symposium on Gao Xingjian’s Works in October last year. During the four-day conference, which is a compact and academic atmosphere, participants analyzed Guo’s drama creation over the years from all angles. We all agree that Guo Qixin, after ten years of the Third Plenary Session, can be regarded as the best in number of creations and in quality,