论文部分内容阅读
1985年,我已告别了导演岗位,从中央电视台文艺部调到中国电视剧艺术委员会研究部。春节前夕,单位领导风风火火地找到我,说有一项中日合拍任务,情况紧急,希望我立码出山救救场。事情是这样的。中国电视剧艺术委员会主办的《电视文艺》杂志,于1984年第6期刊登了苗凯田根据真人真事创作的电视剧文学剧本:《父亲》。内容讲的是:中国铁路工人张东山在日本侵华战争结束时,收留一位被遣送回国日本人遗弃在火车站上的女婴,为她医好病抚养成人。中日两国恢复邦交后,张东山千
In 1985, I have bid farewell to the director position, transferred from the CCTV Arts Department to the research department of the China TV drama art committee. On the eve of the Spring Festival, leaders of the unit found me in a hurried way and said that there was an urgent task of co-production between China and Japan. I hoped that I could set the yard up for rescue. This is the case. In the 6th issue of 1984, TV literary magazine sponsored by the China TV Dramas Committee published Mia Keita’s teleplay script “Daddy” based on the story of a real person. The content is: Chinese railway worker Zhang Dongshan at the end of Japan’s war of aggression against China, the deportation of a sentinel Japanese abandoned baby girl at the train station, to raise a good condition for her to raise an adult. After the restoration of diplomatic relations between China and Japan, Zhang Dongshan said