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在《但泽三部曲》中,针对二战时期的历史,君特·格拉斯没有回避其残酷的社会环境,也没有刻意表现血腥和暴力的战争场面,而是运用荒诞夸张乃至童话的方式制造出一种黑色幽默的距离感,让读者在这种陌生化营造下的距离感里看到纳粹政治的荒谬,并引发人们对这段历史的理性反思。与此伴随的是,当读者意识到这种距离感的预设之后,将直面善意谎言下的残酷现实,从而陷入作者虚构之外真实的“历史”与“历时”的境遇,在集体无意识的持续伤痛中反思属于全人类的精神困境。
In the “Dante Trilogy”, in view of the history of the World War II, Günter Grassis did not evade its brutal social environment, nor did he deliberately show bloody and violent war scenes. Instead, he made use of absurd exaggeration and even fairy tales A sense of the distance of black humor, so readers in this sense of distance created by unfamiliar to see the absurd Nazi politics and lead people to rational reflection on this period of history. What accompanies this is that when the reader becomes aware of this preconceived sense of distance, he will confront the cruel reality under the falsehood of goodwill and fall into the real “history ” and "diachronic Reflecting the mental predicament that belongs to all mankind in the continuous pain of collective unconsciousness.