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《画刊》:与其他画种相比,无论是在学术还是市场方面,版画在今天似乎不太受人关注,这是否与它的复数性有关?就我们所知,即便是在收藏方面,版画也是非常小众的。严善錞:版画的出现,确实就是为了传播,无论是作为书箱的插图还是图画的印制,它都是作为一种复制品被人接受的。大概是到了20世纪初,到了毕加索的时代,它才始出现了限数,有了版次的概念,成了具有商业操作空间
“Pictorial”: Compared with other types of paintings, whether in academia or market, the print seems less popular today, and is it related to its pluralism? To our knowledge, even in the collection, The prints are also very niche. Stern: The appearance of a print is really for communication, either as an illustration of a bookcase or as a print of a picture, which is accepted as a reproduction. Probably to the early 20th century, to the era of Picasso, it began to appear the limit, with the version of the concept has become a commercial operation space