论文部分内容阅读
汪曾祺无论如何也不可能料到会有两个笔墨官司与他相关——一个是在世时的现代京剧《沙家浜》,一个是去世后的长篇历史小说《汉武帝》。这两个官司有本质上的区别。前一个是真官司,后一个是笔者借用而已。前一个官司涉及到署名权与稿酬等问题,更由于媒体的介入而在社会上风风雨雨、沸沸扬扬,所幸的是,虽经周折但终究达成一致意见。与前一个官司相比,后一个官司既与实际利益无关,其影响也仅限于文学圈子内,媒体也几乎
In any case, Wang Zengqi could not have expected that there would be two ink-and-ink lawsuits related to him - one is the modern Beijing opera Shajiabang while he was alive and the other is the historical novel Hanwudi after his death. The two lawsuits are essentially different. The former is a real case, the latter is borrowed by the author only. The previous lawsuit involved issues such as the right of authorship and remuneration, but also because of the media’s intervention, there was a lot of ups and downs in the society. Fortunately, despite the twists and turns, the two sides reached a consensus after all. Compared with the previous case, the latter case was not related to the actual interests, its influence was limited to literary circles, and the media almost