论文部分内容阅读
朱红漆的案台,横摆在室内的一角,罩在上面的玻璃已有无数划痕。四周的墙面上,挂满了知名艺人的字画,西边墙上就是一幅傅抱石八十六岁时写的对联“少读诗书减苦恼,多栽瓜果添收成”。的桌面上,堆放着各种形状的绫、绢、锦,一副出自名家的画正等待装裱。在这个文雅、传统的工作室里,一个刚刚20岁出头的小伙子,挥舞手中裁刀干净利落地忙活着。在他手里,裁刀、裁板、裁尺、针锥等数十种工具,根据装裱程序的不同在飞速地切换……
Zhu Hong paint case of Taiwan, Yokosuya corner of the room, covered in the glass has been numerous scratches. Around the wall, covered with the famous artist’s calligraphy and painting, the west wall is a Fu Baishi written at the age of eighty couplet “less reading poetry book by distress, planting more fruit harvest into ”. The desktop, stacked with a variety of shapes Aya, silk, Kam, a painting by the famous are waiting for mounting. In this elegant, traditional studio, a young man in his early twenties, waving his hands clean and neatly alive. In his hand, cut the knife, cut board, tape measure, pin cone dozens of tools, according to the different mounting procedures in the rapid switching ...