论文部分内容阅读
根据现有的考古文献资料,我们尚无法确认汉字的最初状态,但在商代中晚期,由一百多个象形符号辗转组合起来的成熟而完整的文字体系已经初步形成,它们就是我国现存最早的象形文字。象形字的形体来源于先民对客观物象的撷取,是通过“近取诸身”、“远取诸物”的约取描画而成,渗透着天才的艺术想像与创造。仓颉就是被逐渐神化为“龙颜侈哆、四目灵光”的创造汉字的神异之人。在“英雄史诗”般的造字传说背后,我们可以感受到一种深厚而稳定的文化观念和心理积淀。
According to the existing archaeological literature, we can not confirm the initial state of Chinese characters. However, in the late Shang and Shang dynasties, a mature and complete writing system composed of more than a hundred pictograms has been initially formed. These are the earliest surviving ones in our country Hieroglyphs. Hieroglyphs originate from the ancients’ acquisition of objective objects and are drawn from the approximation of “” and “far from everything ”, infiltrating the genius’s artistic imagination and creation. Cang Jie is gradually deified as “Long Yan Duo Duo, Sikuanguang light ” to create the God of the Chinese characters. Behind the heroic epic legend, we can feel a profound and stable cultural concept and psychological accumulation.