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中国当代美术批评的气氛,是近五十年来最自由的了。主流美术批评压制非主流艺术的现象已基本绝迹。在不涉及政治的前提下,当下艺术批评界已出现非主流艺术批评与主流艺术批评周旋和对峙的局面。当代中国非主流美术的艺术活动和理论批评,反过来否定或贬低主流美术,已经变得经常和意料之中。当中激进的想彻底整垮主流美术和反对到底的艺术家和理论家是极少数:其中大部分则回
The atmosphere of criticism of contemporary Chinese art is the most liberal in nearly 50 years. The phenomenon that mainstream art critics suppress non-mainstream art has basically disappeared. Under the premise of not involving politics, the current art critic circles have seen the situation of non-mainstream art criticism and the mainstream art criticism and confrontation. Contemporary art activities and theoretical criticism of non-mainstream Chinese art, in turn, have denied or belittled the mainstream art has become more often and unexpectedly. Among the radical artists and theorists who want to completely bring down mainstream art and oppose it in the end are the few: most of them return