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民间音乐作为传统文化的组成部分,其在多元文化语境下的传承正受到越来越多的关注。本文通过对存在于吴地农村的民间说唱形式——同里宣卷开放性所进行的梳理,探讨了同里宣卷开放性的具体体现,总结归纳出了同里宣卷开放性在同里宣卷传承中具有的三种作用。同里宣卷是存在于江浙沪吴方言地区农村的一种民间说唱。其音乐集佛曲、戏曲唱腔、小调、民歌及江南丝竹于一体,具有鲜明的开放性特点。因其产生于江苏省吴江市(县)同里镇而得名。自明末至今,同里宣卷在吴地农村已传承400多年。作为产源于吴地民间的草根艺术,同里宣卷能得以传承的原因是诸多的,而其具有的开放性是不可或缺的一点。开放使同里宣卷的音乐得以多元、题材得以多样、演出空间得以扩展。那么,同里宣卷的开放性体现在哪些方面呢?同里宣卷开放性对于同里宣卷的传承又有着怎样的作用呢?就以上问题,笔者作了以下探讨。
As an integral part of traditional culture, folk music continues to receive more and more attention in the context of multiculturalism. Through the combing of the open form of Tonghua and Xuanli in folk rap in rural areas in Wudi, this article explores the concrete manifestation of the openness of Tongliao’s propaganda and summarizes the openness of Tongli Xuan volume inheritance has three roles. Tongli Xuan-Juan is a kind of folk rap that exists in rural areas of Jiangsu, Zhejiang and Wu-yang dialects. Its music collection of Buddhist songs, opera singing, minor, folk songs and Jiangnan Sizhu in one, with distinct open features. Because of its origins in Wujiang City, Jiangsu Province (county) with the town named. Since the end of the Ming Dynasty, Tongli declared in the rural areas of Wu have been passed on for more than 400 years. There are many reasons why Tonglixuanxuan can inherit as a grassroots art originating from Wu folk and its openness is indispensable. Open to the same volume in the music to be pluralistic, diverse themes, performance space can be expanded. So, what is the openness of the same volume in the same book? What is the role of openness of the same volume in propagating the same volume in the same book? On the above issues, the author made the following discussion.