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第一幕:村子和陌生人一个陌生人在草地上放羊。远处的公路上,不时有汽车经过。在某一个不错的下午,陌生人丢下他的羊群来到公路上。陌生人沿着公路走了很久,在一个路口拐进一个小村镇。天渐渐黑下来,陌生人在一个简陋的小旅馆住下了。故事《下午狗叫》里有很多角色,他们按照某种次序出现在三个段落里。之所以称其为“段落”而非“故事”,是因为传统意义上的“故事”是观众在提要求,而这里所有人物的语言、肢体和声音都在对观众提出要求:要么极其没有耐心,要么极其有耐心。还有一个原因就是,如果电影首先必须满足于有意义的故事性,那么为什么不直接用小说来代替?电影应该表现内心活动,像梦一样的内心活动。
The first act: a stranger in the village and a stranger Sheep on the grass. In the distance the road, from time to time by car. On a nice afternoon, strangers dropped his flock to the road. Strangers walked along the highway for a long time, at a junction into a small town. As the days went dark, strangers stayed in a shabby little hotel. There are many characters in the story “Afternoon Dog”, which appear in three paragraphs in some order. The reason why it is called “paragraph” rather than “story” is that the traditional “story” is that the audience is making demands, and the language, the body and the voice of all the characters here are demanding the audience: they are extremely impatient , Or extremely patient. Another reason is that if a movie must first be content with meaningful storytelling, why not replace it directly with a novel? A movie should show inner activity, a dreamlike inner activity.