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张艺谋的《金陵十三钗》上映以来,依然是争议不断。不过有一点基本上述成了共识:张艺谋开始重新讲起故事来了,当然,讲得质量如何是另一回事,讲故事却是实情。张艺谋的电影生涯,身边不乏当代优秀作家陪伴:莫言、刘恒、苏童、余华……从《英雄》开始,张艺谋开始试图抛开作家的小说自己创作剧本,用英言的话说,结果“出现了技术豪华、思想苍白的‘大片’”。这一次,张艺谋强劲回归。取材于严歌苓的中篇小说,邀请刘恒和严歌苓共同操刀编剧,张艺谋再度回到之前惯常的轨道上——向作家要剧本!不只是张艺谋。近期反响不错的电影、都
Zhang Yimou’s “Jinling 13 hairpin” since the release is still controversial. But one thing is basically the above consensus: Zhang Yimou began to re-tell the story came, of course, talk about how the quality is another matter, telling the story is the truth. Zhang Yimou’s film career, there are many outstanding contemporary writers accompany: Mo Yan, Liu Heng, Su Tong, Yu Hua ... ... From the “hero” began, Zhang Yimou began trying to put aside the writer’s own novel writing, in English words, the result The luxurious technology, pale ideas ’blockbuster’. This time, Zhang Yimou returned strongly. Based on Yan Geling’s novella, Liu Heng and Yan Geling invited the writers to fight together, and Zhang Yimou once again returned to his usual track - to write to the writer! Not only Zhang Yimou. Recently a good response to the movie, all