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本文紧扣吴昌硕早年、中年、晚年印风风格链,对其晚年印风展开深入而细致地研讨。探究吴氏早期摸索印风与初成印风之区分,再找到其印风转变之因,从而明确吴氏印风分期及其主要印学观。本文就吴昌硕晚年印风的形式特征进行细考,达到诗书画印结合、浑穆渊雅、自然冲淡之新境。
This article closely linked to Wuchang Shuo early, middle-aged and late-Indian style style chain, the printing style of his later years to conduct in-depth and meticulous discussion. To explore Wu’s early exploration of the distinction between Indian style and Indian style, and then find the cause of Indian style change, so as to make clear the Indian style staging and its main Indian concept of printing. This article examines the formal characteristics of Wu Changshuo’s printing style in his later years, and achieves the new situation of combining poetry, calligraphy, painting and printing with a deep, elegant and natural nature.