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作为美国历史上第一位获得诺贝尔文学奖的黑人女性,托妮.莫瑞森的成功绝不是偶然的。随着西方社会进入后工业时期,后现代主义思潮的影响也逐渐被更多人关注。在文学领域,许多作家就运用后现代主义的“反本质中心”观念,质疑传统的话语权力关系,树立新的话语权威。托妮.莫瑞森也灵活的借用了这一观念,为黑人——这个被边缘化的人群争取了更大的叙述空间,同时,在这种创作观念的指导下,她重新组合叙事形态,运用自由视角、破碎拼贴等多种创作技巧,构造了一个崭新的黑人艺术世界,她的种种尝试,都推动了黑人文学的发展。
As the first black woman in the history of the United States to win the Nobel Prize for Literature, the success of Toni Morrison is no accident. With the Western society entering the post-industrial era, the influence of the post-modernism trend of thinking has gradually been more concerned about. In the field of literature, many writers use postmodernism’s “anti-essential center” concept to question the traditional discourse power relationship and establish a new discourse authority. Toni Morrison also flexibly borrowed this conception and fought for greater narrative space for the Negro, a marginalized group. At the same time, with this creative concept, she reorganized the narrative form, Using a variety of creative techniques, such as freelance perspective, broken collage, and so on, a brand new black art world has been constructed. Her various attempts have promoted the development of black literature.