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当今书坛,有如星海,新老明星,或隐或显,令人目不及瞻。我最早知道李小如的名字,是从《青少年书法报》上他荣获一九八六年神龙杯首届书法大赛全能优秀奖时,但坦率地讲,当时我印象深刻的主要是他的小楷,那股清秀隽永的气息不同凡响。及至今天,他在北京劳动人民文化宫举办他的大型个人书画展,才有幸相识,得以交谈艺术。但眼前的李小如却有些难与当年观其小楷时的印象联系起来。他有些象北方人,朴实笃厚、谦虚静讷、仿佛欠些小楷中的清秀特别是潇洒。观赏完他的展览,应该是进一步了解了这位生长在南粤之地的青年书法家了。
Today’s book, like Xinghai, old and new stars, or hidden or significant, it is unattractive. When I first got to know Li Xiaoru’s name from the “Young Calligraphers”, he won the All-China Excellence Award at the first Dragon Prize Calligraphy Competition in 1986, but frankly I was mainly impressed with his small letters Handsome and meaningful atmosphere extraordinary. Up to this day, he held his large-scale solo exhibition in the Palace of Culture of Beijing to get acquainted with art and talk. But in front of Li Xiaoru but somewhat difficult to see the impression of the time when the small cell link. He is somewhat like a northerner, simple and honest, modest and quiet, as if young people in the lower case are handsome, especially smart. After watching his exhibition, he should know more about the young calligrapher who grew up in the South of Guangdong.