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随着社会的发展,人们的精神文化需求变得多层次、多维度,使得各种形式、各种风格的艺术形态得到更大生存和发展空间。为提升人们大众的生活品质和审美需求,艺术与设计相互碰撞和衍生,从而满足人们的需求。版画仅作为架上绘画艺术的生命力逐渐衰微,寻求向多元化、多领域的发展已迫在眉睫。而在公共空间艺术中,人们也已经不再满足于传统的艺术形式,提出了更高的审美要求。本文试从版画在公共空间的运用实例来论述。全文分为三个部分。第一章论述了版画当今的发展现状,为版画发展寻求发展契机。第二章通过对版画的概念、版的材料语言阐述,诠释了版画在公共空间发展中地位和展现形态。第三章通过对版画在安仁水塔的实际运用的研究,从版画的艺术性和技术性两个方面分析版画在公共空间中的具体运用。
With the development of the society, people’s spiritual and cultural needs have become multi-level and multi-dimensional, allowing greater variety of forms and styles of art forms to have greater scope for survival and development. To enhance people’s quality of life and aesthetic needs, art and design collide with each other and derive to meet people’s needs. Printmaking only as the shelf painting art vitality gradually declining, seeking to diversified and multi-domain development is imminent. In the public space art, people are no longer satisfied with the traditional art form, put forward higher aesthetic requirements. This article tries to discuss the application of printmaking in public space. The full text is divided into three parts. The first chapter discusses the current development of printmaking, seeking development opportunities for the development of printmaking. The second chapter elaborates the concept of printmaking and the version of material language to interpret the status and appearance of printmaking in the development of public space. The third chapter analyzes the practical application of printmaking in Anren water tower, analyzes the specific application of printmaking in public space from the artistic and technical aspects of printmaking.