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生活于十九世纪的李斯特,不能用十八世纪初克里斯托弗利所发明的钢琴弹奏自己的作品(如~bE大调协奏曲),就连十八世纪末莫扎特用过的琴也无能为力。首先音域就远远不够(不是六个半至七个八度,而只有四个半至五个半八度)。此外,机件须更坚固,弦槌须更灵敏(能对手指轻微的触键作出反应,能精确地弹出极快的“倾泻”般的高难度经过句)。最后,还须有能延续弦音的好使的踏瓣和能迅速消音的灵敏的制音器。
Living in the 1800s, Liszt could not play his own piece with the piano invented by Christopher in the early eighteenth century (such as the Concerto in the bE major), even the Mozart used the harpsichord in the late 18th century. First, the range is far from enough (not six and a half to seven octaves, but only four and a half to five and a half octaves). In addition, the mechanism must be more robust, the hammer must be more sensitive (can respond to the slight touch of the finger, can accurately pop very fast “pouring” difficult passage). Finally, there must be a good pedaling flap that prolongs the string and a sensitive dampener that can quickly silence it.