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孙过庭曰:“违而不犯,和而不同”。 “违而不犯,和而不同”道出了书法形式美的一条重要规律,即多样化的统一、对立性的统一;同时,也给学书者指明了一条应该遵循和把握的创作辩证法则——创作的最高审美原则。违,即违反,可引申为差异、不同、变化等;犯,即侵犯,可引申为矛盾、冲突、排斥等。违而不犯,是说要有变化,互不雷同,但又不彼此冲突,和谐地融为一体。和,即和谐、统一、相融;不同,即不一样、不统一。和而不同,
Sun Ting court said: “Breach, not the same, and different ”. The principle of the beauty of calligraphy, that is, the unity of diversity and unity of opposites, is unveiled in the book “Breach, Breach, and Difference.” At the same time, it also points out to the scholar the creative dialectics that should be followed and grasped - The highest aesthetic principle of creation. Violation, that is, violations, can be extended to differences, differences, changes, etc .; commit, that violations, can be extended to conflict, conflict, exclusion and so on. Offenders do not commit crimes, that is to say, there must be changes and they should not be in conflict with each other but harmoniously integrate with each other. And, that is, harmony, unity, blending; different, that is not the same, not unified. And different,