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在军艺读研的陈炜,在毕业展中拿出了一个系列15张的敌后抗日题材水墨人物组画。毕业创作是军艺研究生的大事,陈炜所拿出的作品再次表明了他的绘画道路是作为一个部队集体生活的群像画家。这让我联想起,在欧洲,最伟大的群体肖像画家是伦勃朗,他抵制住当时流行的肖像画看法,绘制了巨幅名作《夜巡》,这幅作品使得画家本人在赞助人心目中大跌身价,但却留下了群体肖像画的一个令人仰视的高峰。在中国古代,传统的雅集图可以说也是一种群体肖像画。它表现的是社会名流和风雅之士吟诗作画的群体性活动,强调对人物精神和神韵的把握。无论在哪一个国家和地区,哪一个时代,群体肖像画在难度上要远超过一般的肖像画,因而并不常为画家所选择。
Chen Wei, who studies at the military academy, came up with a series of 15 paintings of the anti-Japanese anti-Japanese anti-Japanese theme series in the series of graduation shows. Graduation creation is a major event for military graduate students, and Chen Wei’s work shows once again his painting road as a group painter living in a collective unit. It reminds me that in Europe, the greatest group of portraiture painters was Rembrandt, who boycott the prevailing portraits of the time and painted a huge masterpiece “Night Watch”, which made the artist himself in the eyes of patrons Plunged the price, but left a group of portraits of people looking up peak. In ancient China, the traditional set of pictures can also be said to be a group portraits. It shows the celebrities and elegant style of poetry painting group activities, emphasizing the spirit of the character and charm. No matter in which country, region and era, group portraits are far more difficult than portraits in general and therefore are not often chosen by painters.