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当数字化的普及使图像变得有些泛滥时,速写也差不多被人遗忘了。单纯为了绘画所需的素材,人们宁愿采用不具有绘画视觉效果的照片。与此同时,速写也被视为简单的、不准确的,因而与“真实”这一观念发生了偏差。视觉手段上二出现的这种转变逐渐影响了我们关于“形象”的观念,齐白石倡导的“贵在似与不似之间”被肢解为“似”与“不似”的并存,即一边是以照相为主的机械复制——似,另一
Sketches are almost forgotten when the popularity of digitization makes the image a little overwhelming. People simply prefer to use pictures that do not have a visual effect of painting in order to draw the material they want. At the same time, sketches are also seen as simple and inaccurate, and therefore deviate from the notion of “true”. This shift in visual sophistication gradually affected our notion of “image ”, and Qi Baishi’s advocacy of “being between similarities and not ” was dismissed as “like” and “not” "The coexistence of one side is based on photographic mechanical replication - like, the other