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20世纪以来的中国绘画史,是在急剧变化的社会动荡中,重新寻找价值定位与表现方式的探索史。由于门户的开放,尤其是外强内弱的现实,促使中国艺术家不得不重新思考绘画的功能和作用,并承担起启蒙与救亡的社会责任。于是,过去占据画坛主流的文人画,以追求“逸笔草草,不求形似,聊以自娱,写胸中逸气”(倪赞语)的艺术趣味,受到了批判和扬弃;而回归于现实,以写实主义的造型语言,来表现真实的人生,便取而代之成为绘画的主要探索方向。艺术家刘向东,就是在这样一个文化背景下走上艺术之路的。
Since the 20th century, the history of Chinese painting is to search for the history of value orientation and expression in the rapidly changing social turmoil. Due to the opening up of the portals, especially the weakness in the external world, Chinese artists are forced to rethink the functions and functions of painting and to assume the social responsibility of enlightenment and salvation. As a result, the artistic interest of the literati painting, which used to occupy the mainstream of painting circles in the past, was criticized and subjugated in the quest for "artistic ease of pen and grass, Reality, with realism modeling language, to represent the real life, they will instead be the main direction of exploration of painting. Liu Xiangdong artist, is in this cultural context embarked on the road to art.