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在很多人的意识中,复古与创新是两个对立的概念。似乎二者大相径庭,水火不容。其实,二者经常是互为表里,互相启示,互相生发,从而推动着文化的进程和艺术的进程。人类文化的历史正是在不断地创新和复古的呐喊声中走到了今天。著名国画家段朝林的艺术就是在复古与创新的交替转换中确立了自己的艺术风格。段朝林也正是在这种交替转换,互相生发的语境和艺术语言中寻找到了其本体精神的归宿和安身立命之所。就文化而言,复古与创新往往具有相同的价值。在人类文化发展的历史中,任何一
In many people’s consciousness, retro and innovation are two opposite concepts. It seems that the two are very different from each other. In fact, the two often interact with each other and inspire each other, thus promoting the process of culture and the process of art. The history of human culture is coming to this day with endless cries of innovation and retro. The art of Duan Chaolin, a famous Chinese artist, established his art style in the alternate conversion of vintage and innovation. Duan Chaolin is precisely in this alternative conversion, mutual development of the context and art language to find the fate of their ontological spirit and settle down. In terms of culture, vintage and innovation often have the same value. In the history of the development of human culture, any one