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陈村:只有一个孩子才知道另一个孩子的好处,他们不势利。也像鲁迅说的,学过的子曰诗云都忘了,但记着曾经学到男孩不哭。仅仅这点,便可享用一辈子。顾晓鸣:开头两个字就是“小桢”,但说“小桢在我的记忆里”,其实是“我的记忆在小桢里”。用第一人称的自我表达,叙说了完整的第三人(称)小桢。他成为“我”欲言又止的丰富而本真的童心的反射镜。脱逸常规语言,经由港片台词——小桢的口头语——我心向往却不敢说的话,微妙地表达出来,使处于两难的成长过程中的少年心态十分传神地跃然屏上。许多细部的、有触感的小例子;结构互嵌完整,一气呵成。真的很不错。可以改编为一部极好的儿童电影。王国刚:梁启超说“老年人惟思过往,少年人惟思将来”。本文用网络式的随意朴实的语言和独特的构思,回顾自己在“过往的岁月”中的种种或天真、或幼稚或单纯的行为,写出了年轻的作者成长、成熟的过程,字里行间有一丝淡淡的哀伤。
Chen Cun: Only one child knows the benefits of another child. They are not snobbish. Also, as Lu Xun said, the children’s poems they had learned have been forgotten, but they remembered that the boy learned not to cry. Only this point, you can enjoy a lifetime. Gu Xiaoming: The first two words are “little beggars,” but they say “little beggars are in my memory.” In fact, it is “my memory is in my little sister.” Using the first person’s self-expression, the complete third person (called) is described. He became a rich and truly innocent mirror with “I” speaking and saying. To escape from the common language, through the Hong Kong film line, Xiao Yan’s spoken language, I dared not say what my heart longed for, subtly expressed it, and made the youth’s mentality in the dilemma growing vividly on the screen. Many detailed, tactile, small examples; structures embedded in one place, all at one go. it’s actually very good. Can be adapted into an excellent children’s movie. Wang Guogang: Liang Qichao said that “the elderly can only think of the past and young people can only think of the future.” This article uses a network of casual and unpretentious language and unique ideas to review all kinds of naive or naive or simple behaviors in the “past years” and writes out the process of young authors’ growth and maturity. A touch of sadness.