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中国书法一直被视为修身养性的高雅艺术,虽然事实确实如此,但是这样的定位无疑抬高了书法与我们日常生活的距离,让我们对书法艺术多了敬畏,少了亲切。这样的距离感对于书法的学习和赏析以及书法的继承和发扬形成了一定程度的阻碍。本文尝试通过视觉传达设计的的一些方法和呈现将书法艺术视觉化、图形化,用一种可见,可触,可感的多维度方式展示出来,引导人们从不同的视角,不同的方式去感知书法的美,去感受生活的艺术,去发现生活中的书法美学。减少人们对书法的疏离感,重塑对书法的亲切感,为弘扬国粹尽自己的绵薄之力。
Chinese calligraphy has long been regarded as the elegant art of self-cultivation. Although this is indeed the case, such positioning certainly undoubtedly raised the distance between calligraphy and our daily life. It gave us more respect and less affection for the art of calligraphy. This sense of distance has created a certain degree of impediment to the study and appreciation of calligraphy and the succession and development of calligraphy. This paper attempts to visualize the art of calligraphy by visualizing some of the methods of visual design and presenting it in a visual, graphical way with a visible, touchable and sensible multidimensional way to guide people from different perspectives and different ways to perceive The beauty of calligraphy, to feel the art of life, to find the life of calligraphy aesthetics. Reduce people’s sense of alienation of calligraphy, reshape the intimacy of calligraphy, to promote the quintessence of their own modest.