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我常说一句话:我当不了一流的作家,就一定要当好一流的编辑。如今我当编辑快40年了。爱编辑这一行,先后在《文艺研究》《中国作家》《脊梁》当编辑,也结识了中国当代很多优秀的作家。记得1985年元旦后,《中国作家》副主编张凤珠拿一部稿子对我说,这是徐怀中推荐的,你看看值不值得搞一个“文学对话”。我就接过来了,我就看了,我就觉得值得搞点什么。这就是莫言的中篇小说《透明的红萝卜》。此刻,我不认识莫言,也不知道他是何许人也。其实,这时的莫言已经发表了好几篇
I often say one sentence: I can not be a first-class writer, it must be a good first-class editor. Now I am editing almost 40 years. Love editing this line, successively in the “literature and art research” “Chinese writer” “backbone” as editor, also met many Chinese contemporary outstanding writer. I remember after New Year’s Day in 1985, Zhang Fengzhu, associate editor of “Chinese Writers,” took a manuscript to me and said that it was recommended by Xu Huaizhong. Do you think it worthwhile to engage in a “literary dialogue.” I took it, I saw, I think it worth something. This is Mo Yan’s novella “transparent carrot.” At the moment, I do not know Mo Yan, nor do I know who he is. In fact, at this time Mo Yan has published several articles