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王绂的书论思想包含多个方面。既包括书法源流、书法功用,又涉及到文字音义,还有大量的记录整理前人书论的篇章。《书画传习录》主体部分是对历代书家书论的品评和记述,体现了王绂的书法批评思想,是全书的精华部分。本文着重从“适性闲情为本”与“真实体道之意”“书以人重”与“以人传书”推崇元人与重“仙迹流传”、对书体的讨论等几个方面梳理了王绂关于书品与人品及书法史中字体演进问题等方面的书学思想。
Wang 绂’s book theory contains many aspects. Including the origins of calligraphy, calligraphy, but also related to the text sound and meaning, there are a large number of records of the previous book chapters. The main body part of the Biography of Calligraphy and Painting is the evaluation and description of calligraphic theories of ancient calligraphers, which embodies Wang Ying’s calligraphic criticism and is the quintessence of the book. This article focuses on the “fairy tale-based” and “real body of the meaning of” “book to weight” and “ ”, The discussion on the book body and so on, combs the Wang Shu’s calligraphy thought in the respect of books and characters and the evolution of fonts in calligraphy history.