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受西方后现代主义文化思潮的冲击,20世纪80年代中后期以来的中国当代文学批评,在价值取向和思维向度上,呈现了不同以往的一种后现代景观。后现代主义批评为久经“失语”尴尬的中国当代文学批评觅寻了一种崭新的理论话语。然而,作为在他者“影响的焦虑”下的新生儿,其对西方后现代话语形式的直接挪移,反过来又进一步加剧了“文化失语”之处境。基于中国当下的文化语境,批判地消化和吸收西方后现代主义,完备具有本土特征的理论形态,是中国当代文学批评应有的学术自觉。
Influenced by the cultural trend of postmodernism in the West, the Chinese contemporary literary criticism since the middle and late 1980s presented a different postmodern landscape in terms of value orientation and thinking direction. Postmodernist criticism has searched for a brand new theoretical discourse for the Chinese contemporary literary criticism that has long been “Aphasia” embarrassment. However, as a newborn under the influence of anxiety of the other, its direct transfer of the postmodern discourse form in the West further aggravates the situation of “cultural aphasia.” Based on the current cultural context in China, it is necessary for Chinese contemporary literary criticism to have academic self-consciousness in order to critically digest and absorb western postmodernism and complete the theoretical form with local characteristics.