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什么样的展览能够作为历史文本进入艺术史写作?写作者如何利用文献挖掘展览背后隐藏的历史线索?如何通过分析展览个案获得新的历史认知视角,修正甚至颠覆那些粗糙的宏大叙事?英国Intellect出版社出版的《策展研究期刊》特辑《中国当代展览文化》,其中几篇有关中国当代艺术的案例研究给以上问题勾画出多种可能的路径。澳大利亚艺术史学者麦书菲的论文聚焦台北美术馆的两个大陆艺术家个展,2009年的蔡国强个展“泡美术馆”和2011年的艾未未个展。文章认为两个展览迎合了台湾政府利用当代艺术亲近大陆的
What kind of exhibition can be used as historical text into art history writing How to use the literature to find the hidden historical clues hidden behind the exhibition How to analyze the exhibition case to obtain a new historical cognitive perspective to correct or even subvert the rough grand narrative British Intellect The publication of “Journal of Census Research,” a special edition of “Contemporary Chinese Exhibition Culture,” published several case studies on contemporary Chinese art, outlined various possible paths to the above problems. Australian art historian MacShoff’s essay focuses on two solo exhibitions of artists from the Taipei Fine Arts Museum, solo exhibitions by Cai Guoqiang in 2009, “Bubble Art Museum” and Ai Weiwei solo exhibition in 2011. The article holds that the two exhibitions cater to the Taiwan government’s use of contemporary art to come to the mainland