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一、精神的升华在绘画史,乃至整个艺术史上,所谓现代意识,在一定意义上是指发展而言,实际上主要表现为新变,而任何新变和独创,都意味着对已往模式和规范的突破。这种突破最初可能是局部的,但量的积累必然引起质的飞跃,最后导致了新艺术模式和规范的确立及艺术精神的升华。当然,这种升华往往是由那些艺术的敏感者和探索者来完成的,并且以他们的成就为标志。近几年来,冯远的水墨艺术是以“精神升华”的过程作为明显标志的,这个过程是以题旨、内蕴的含量及现代意识为特征的。长期以来,冯远看到了当代水墨创作中旧规范被不断突破的潮流,并力求在这种新变的潮流中捕捉到新精神的脉动,使自己的艺术紧随潮流的走势,并给以实践和理论上的证明。这种意图,使他常常能够敏锐地找到观察这种走势的新角度。80年代以来,
First, the spirit of sublimation In the history of painting, and even the entire history of art, the so-called modern consciousness, in a certain sense refers to the development, in fact, mainly for the new changes, and any new changes and original, all means that the past model and Standard breakthrough. This breakthrough may have been partial at first, but the quantitative accumulation inevitably led to a qualitative leap and finally led to the establishment of new art modes and norms and the sublimation of artistic spirit. Of course, this sublimation is often done by those who are sensitive and explorers of art and marked by their accomplishments. In recent years, Feng Yuan’s art of ink painting has been marked by the process of “spiritual sublimation”. The process is characterized by themes, intrinsic content and modern consciousness. For a long time, Feng Yuan saw the tide of constantly breaking the old norms in contemporary ink painting and sought to capture the pulse of the new spirit in this new trend of change. And theoretical proof. This intention made him often able to keenly find a new perspective on this trend. Since the 1980s,