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千顷湖光四面开,松阴上下点苍苔。莫言缥缈君曾渡,先有樵人云外来。这是明代陈继儒在沈士充《云山禅修图》外的题画诗。赏读高致,画意贴切。中国传统山水画发展至元、明、清,主流画坛可谓文人画之一统天下。在诗、书、画、印编织的形、色罗网中,往往借自然宁静、安逸之表来体现作者不争、忍耐和无为、超脱的性格,使得山水画家
Thousands of lakes are open on all sides, Songyin up and down point of the lawn. Mo Yan 缈 缈 Jun Zengduo, the first Qiaobei Yun outside. This is the Ming Dynasty Chen Jiru in Shen Shichu “Yunshan meditation map” outside the painting poems. Really appreciate, painted appropriate. The development of traditional Chinese landscape painting to the Yuan, Ming and Qing Dynasties, the mainstream can be described as the literary world of literati painting dominate the world. In poetry, calligraphy, painting, printed weaving shape, color network, often by natural quiet, comfortable table to reflect the author’s fight, patience and inaction, detached character, making landscape painter